Books
Maxime Sabourin
Maxime Sabourin
Quentin Dufour
Quentin Dufour
Quentin Dufour2
Tom Gautier
Antoine Duruflé
Antoine Duruflé
Evan Renaudie
Evan Renaudie
Evan Renaudie
Etienne Ciquier
Etienne Ciquier
Félix Decombat
Félix Decombat
Santiago Garcia Velez2
Satiago Garci Velez
Satiago Garci Velez3
2017, 50 pages, 19 × 30 cm, 15 colors silkprint
Passport éditions N°1 Tales and Legends from Japan
Jul Quanouai
Jul Quanouai
Clémentine L’Heryenat
Clémentine L’Heryenat
Antoine Duruflé
Alice Meteignier
Alice Meteignier
Manon Cezaro
Manon Cezaro
Evan Renaudie
Evan Renaudie
Diesneigh
Sarah Louis Barbett
2018, 50 pages, 18 × 28 cm, risograph print, covver in silkprint
Passport éditions N°2, Tales and Legends from Norway
2018, 30 pages, 480 × 640 mm, offset
Magazine on the theme of space produced with 20 other illustrators. Design of the interior poster and cover in collaboration with Joachim Galerne.
2019, 283 x 344 mm, 72 pages, laser print
Series of 30 plates decorated with decals during a residency in Limoges. Mock catalog of the plate collection.
2019, 170 × 220 mm, 162 pages, silkprint and laserprint
My master thesis on transition in the imagination of comic book characters. How, in comics, the character’s imagination can be represented, and what impact this representation may have on the reader. In this thesis, I analyzed eight narrative works. I examined the boundaries between «the real» and «the imaginary» in fiction, in particular: The visible borders in the series Philemon, and time transitions in Tintin and The Secret of the Unicorn, imaginary escape from unpleasant daily life in Irene and the Tramps, Asteriop Poly, Ultra Heaven, Arsène Shrauwen, and finally, books without transitions that blur the imagination of the author, of the character and the reader as in Immersion Program or Toxic. The reader does not master the boundaries between the imaginary world and reality in the fictional narrative.
2020, 140 x 210 mm, 120 pages, laserprint
Illustrations and lay-out for a play edited by Alt.